Leslie and I experimented with the readings for a short opening unit on how to study America. I advocated the first year for excerpts from the political philosopher Michael Walzer's Interpretation and Social Criticism. Walzer articulated the idea of the "connected critic", someone who was inside a society enough to be committed to its people and its narrative and its articulated values, and able to criticize in the name of those values and out of shared commitment. It's when Rev. King said that his dream was "deeply rooted in the American dream", even as he called out America. For Walzer, the alternative is the disconnected critic who might not care enough about fellow citizens and/or who speaks a language entirely foreign to the society the critic hopes to change or improve. Another alternative of course is someone so identified with things as is that they cannot criticize at all.
I wanted our students to see themselves as connected critics of America. It was a bit easier to articulate for American Jewish students, for whom inside-outside is already set up.
"Connected critic" is always a position of built-in tension. It's a challenge to nurture your own connection and your critical outlook. Particularly when you are just learning about your own history, and the history of your own society.
In the past few years, the "connected critic" view of founding American ideals has been called into question, and I am hoping for a way to vindicate it nonetheless. Does Thomas Jefferson's slaveholding mean that "created equal.... life, liberty and the pursuit of happiness" are bankrupt? I accept the challenge of those who answer yes. I have to consider the alternative, and/or come up with an account of the citizen as connected critic that does not whitewash anything.
Assignment: Choose an artifact that to you represents America, American society, or American culture. Feel free to share an image and/or explanation in the comments here or in your own post.
When I began co-teaching the course, the artifact I chose was the book and album “Free to Be You and Me.” It’s a 1972 project created by Marlo Thomas. For the younger people here, that’s Rachel’s mother from “Friends”, and this project is one reason why that casting is so amazing in a counter-to-type way (read on).
“Free to Be You and Me” was a series of songs and stories for kids aimed at breaking down gender stereotypes. What a boy and a girl has to be like, want to be when they grow up, etc.
I chose this as my artifact for three reasons.
This last point in particular is what I want to interrogate through the course of this year. That assumption, and whatever knowledge I need to gain and reflect on in order to assess how far it is.
That's me right after a conversation of about half an hour last night with a few members of the Proud Boys, who have become an unfortunate fixture around meetings of Nashua's Board of Education. Knowing they would be there I could not stay home. This is my family's school, and my community, and people I know who are being harassed by them.
A few thoughts:
I was prepared, if the controversy about "critical race theory" was brought up in the Board of Ed meeting, to make a speech based on what I think democratic education is about. I have a pretty good speech, if I say so myself -- it's not the usual stuff, I think it's original, and I'll publish that at some point or maybe use it at the next Board of Ed meeting. I left the meeting inside pretty quickly because I'm not ready to be inside with a group that way. So I don't know what happened after I left, and I have to catch up.
Why did I bother with this? I wasn't going to change anyone's mind. But more and more, I think that when a group like the Proud Boys projects themselves, the important thing is to meet them not just as protestors, but as "I am the reality here." I can feel a change here in town; I could feel it in my body. My heart was not in any way pounding, as it usually is in these situations. That's because of this coalition that is coming together here in Nashua with confidence and dare I say love. It's the early days and it's not a uniform coalition who agree on everything when it comes to justice. Usually, the handful of times I've talked to activists like the Proud Boys I leave feeling frustrated and like I didn't come close to doing my part well. This time I knew I had the better of the argument, and they were far more tired of talking to me than vice versa.
Why did I bother? This makes me stronger and sharper. It tells me that the time I have spent slowly getting to know more people from religious and cultural groups outside my own is in fact making a difference. There are answers to some of the divisive questions today that are not just compromises or safety valves. I am proud to be in the mix, which is all that I am, and I would be proud to bring any of you who are local along with me.
This was my Dvar Torah on Parashat Pinchas from July 3, 2021.
ותקרבנה בנות צלפחד -- Vatikravna Bnot Tzelophechad, they came up close, the daughters of Tzelophechad son of Chefer son of Gilad son of Machir son of Menashe of the families of Menashe son of Yaakov, and these are the names of his daughters: Machlah, Noah, Choglah and Milkah and Tirtzah. Va’ta’amodna, and they stood in front of Moshe and in front of Elazar and in front of the tribal leaders and in front of the community at the entrace of the tent of meeting, and said...
ותקרבנה, ותעמדנה Vatikravna va’ta’amodna -- it’s important that they came up close and that they stood together, and it’s important to know their names and their back story even though the Torah is leave them and focus on a specific issue. I want to explore ותקרבנה ותעמדנה vatikravna v’ta’amodna, they came up close and they stood.
A few weeks ago, Marsha Feder and I spent an hour at the Bronstein Apartments, which is public housing a few blocks west of Main Street in Nashua. This is in the middle of my city and I drive there all the time now that there’s the Broad Street Parkway. I should say, I drive past there; I can’t really say I drive through there. Bronstein is on my way to my daughter’s middle school and it’s along my shortcut to the Court Street Theater or anywhere downtown south of the Riverwalk Cafe. But in thirteen years I don’t think I had ever walked the neighborhood there until now.
ותקרבנה vatikravna-- they came up close. The reason we were there, with Aron DiBacco of the Granite State Organizing Project, is because the Bronstein Apartments are going to be replaced with even more affordable apartments on the same site. About 50 are there now and about 200 will be there. 200 is more than 50, so that part is great.
If you work a few blocks away from Bronstein at City Hall, 200 affordable apartments is more than 50, and that’s great. I imagine that’s how it looks at the Department of Housing and Urban Development in DC, and it’s easy to see it that way if you are informed enough to read the local newspaper, or even attend a meeting of the Board of Aldermen or the Nashua Housing Authority.
But for the 48 families living there now, the project with the good numbers also means uprooting and dispersing a community. Disrupting patterns of getting kids to school, and relationships of helping each other out. Separating people from others you’ve gotten to know in a city or a country that for some is still new to you, who you can communicate with maybe if you don’t speak English well yet. It means finding a place to live, yes with assistance from the authorities which is being provided -- but it’s not easy to find a place in Nashua that’s right for a large multigenerational family, for instance.
So we went to talk to people up close, ותקרבנה vatikravna, to find out if people are getting what they need from the government. You can’t do this just by letter, or e-mail; it really requires one-to-one contact, up close, and even why would would I assume that someone would see me, a stranger, and open if I knock on the door? But going there and knocking is better than not doing that at all.
I won’t speak for Marsha, but in addition to talking to people, and for the most part being reassured by what I heard, I also saw a lot more by being up close. I met a mother of young kids, who said sure the city has helped them find a new place, but the prospect of packing and relocating the kids is daunting, and she was grateful someone heard that, even though none of us can do anything about it. Or perhaps we can; maybe the Interfaith Council should be there to help pack or schlep of keep the kids entertained on moving days. I don’t know.
I saw what the green area between buildings looks like, how bare it seems. It’s hard to put my finger on the difference between a nice patch of grass and one that’s not so inviting, but it’s there. There’s little flavor to Bronstein as it exists now; it doesn’t look like a place that’s home-y but I didn’t ask so who am I to say. One hour doesn’t really make for getting up close. You think of downtown Nashua as a place people walk around and walk through, but there are little physical suggestions like the black fence along Central Street that don’t exactly say walk through here if you don’t live here, on your way to the Allegro Dance Studio or the Crossway Church. Bronstein is just a few blocks from the river, but you really don’t feel like that walking through there on their way to the riverfront paths.
Somebody has to get up close and stand there, ותקרבנה ותעמדנה vatikravna vata’amodna, for a lot more time. You can’t make good policy if no one does that; you miss a lot of the picture that makes not just affordable housing but an affordable community. You end up saying 200 units is more than 50 full stop, and you don’t take account of the fact that living is neighborhood and relationships and culture, and those things have value. They have concrete civic value, public health value, economic value. You can’t just count on those values being maintained when the community is scattered for a time, and bouncing back when they return. Those values have to be integrated into the numeric equation of 50 becoming 200. To improve that policy, to make an increase on more than a numeric dimension at the same time, requires getting up close.
I have to find a way to get up close more, because for almost three years I’ve been working with other local clergy on affordable housing and even we have been largely about numbers -- adding 2,000 more units over a decade that a typical working person could live in without paying more than 30% of their income, and developing a city capital fund to spark more building on the order of five million dollars. I’ve been at a lot of meetings, some of them a few blocks from Bronstein, but none of them right there.
The part of our parasha with the five daughters of Tzelophechad is about an economic problem, related to land ownership and inheritance, a structural problem of discrimination against women. So Machlah, Tirtzah, Milkah, Choglah, and Noah come close and stand in front, ותקרבנה ותעמדנה vatikravna vata’amodna, and they present their story. Moshe had just right then learned about the distribution of property among families in the new land and the laws of inheritance. As a result of this up-close advocacy at that moment, Moshe went to God and God told Moshe to adjust the law because the five daughters had spoken honesty and correctly -- כֵּ֗ן בְּנ֣וֹת צְלׇפְחָד֮ דֹּבְרֹת֒ נָתֹ֨ן תִּתֵּ֤ן לָהֶם֙ -- give them what they are asking. The midrash imagines that God says to Moshe: the law was not ready to be completed until they came up close to you and you saw up close what was missing.
The work of ותקרבנה ותעמדנה vatikravna vata’amodna, of seeing up close, and advocating face to face with authorities, and standing, confidently and respectfully and together -- it’s hard work. Hard for those who have to ask for things they shouldn’t have to ask for, and hard for allies who want to stand by them. But without doing as the Bnot Tzelophechad did you can’t have good policy and good law. You can do the numbers but you can’t do community and you can’t do covenant that way, and then even the numbers will end up not working out right.
And I think our parasha heightens this insight by contrast with the opening story of Pinchas. Pinchas sees a problem, a crisis of idolatry and sexual immorality, and he jumps up, ויקם vayakom, and he takes matters into his own hands and he kills the people at the center of the injustice. He seems to be rewarded from God -- with a ברית שלום brit shalom, a covenant of peace, and a ברית כהונת עולם brit k’hunat olam, a covenant that his descendents will always be priests.
The midrash says two kinds of things about him. One is that the rabbis envy Pinchas, for being able to turn his outrage into effective activism that works in an instant. It actually seems to work. Pinchas is their secret fantasy. Especially as they were under the thumb of the Romans and other empires.
The other thing is that the rabbis are terrified of Pinchas. He needs a covenant of peace because he’s not any good at covenant. He needs to be forced to be a priest because otherwise he’ll be a dangerous, violent loose cannon and think every problem in society or Torah can be solved with force based on his own read of the situation in the moment. So the rabbis look at Pinchas and say: individual action, or violent action out of outrage, is a card you can play at most once in your lifetime. Then you require a covenantal approach even to what’s difficult and unjust in the here and now.
The rest of the time it’s the daughters of Tzelophechad, ותקרבנה ותעמדנה vatikravna vata’amodna. That’s not about settling for gradualism vs complete solutions, but about hanging together, working together, exploring up close and telling stories and histories. It’s about trusting what happens when you come up close to people who disagree or to people haven’t seen it right yet, who have power. It’s about timing; the five women had a sense of when Moshe was ripe for their pressure, when he was starting to think about what they needed him to do more on.
And the impact of their work was broader than one law of inheritance. They weren’t actually just gradualists -- it is right after this passage that God tells Moshe his tenure as leader is up, and it’s time to find someone else. Moshe gets it, and he pleads with God to find the people a shepherd who cares for every sheep, who can account for every person. A leader who would know what the laws of property should have been even before the five daughters came to tell him.
So many of the hero stories we tell about change and activism are more Pinchas than Bnot Tzelophechad. But when we really look into those stories -- whether it’s the American Revolution, the Zionist movement, the civil rights movement -- it’s the daughters of Tzelophechad pattern we see everywhere. Let’s see and lift up those kinds of leaders. Let’s be leaders like that, on whatever plane we operate in. Let’s do that so we make better public choices together, and grow close and stand with each other as citizens in that process of ותקרבנה ותעמדנה vatikravna vata’amodna.
I gave this D'var Torah on Saturday morning, January 23, on the Shabbat before Debbie Friedman's 10th yahrzeit.
On a Sunday night in early January 25 years ago, Laurie and I were living in Queens and there was a big Nor’easter brewing. Some of you may remember, it came all the way up here – it shut down New York City for several days. We had tickets to a concert at Carnegie Hall and decided to go anyway. This was before we had kids, but even so we wouldn’t usually go out late on a night before a work day. We got to our seats way up in who knows which balcony, and the performer came out on stage and said, “Welcome to Beth Carnegie!” And for the next couple of hours Debbie Friedman turned Carnegie Hall into a shul, into camp, into a Jewish revival. Debbie, zichronah liv’racha, is the composer and singer who gave us Misheberach, L'chi Lach, the ya-la-la-la-s of Havdalah, I Am a Latke – just for some examples. This coming week we will remember Debbie’s 10th yahrzeit.
At Beth Carnegie in 1996 Debbie had on stage her sign language interpreter EJ Cohen, who lives in New Hampshire and who I met years later up here. Were any of you there by chance? After it was over, Laurie and I went to the backstage door. The snow was already really coming down but we wanted to say hi to Debbie before she left, the way you’d go out to try to get an autograph from a Broadway star.
We wanted to talk to her because the Savetts have a connection to Debbie Friedman’s family that may be unique, as surely we are the only two Jewish families who have settled in both Utica, New York and St. Paul, Minnesota. Debbie was an alum of my alma mater, Highland Park Senior High School in St. Paul -- Debbie and Jack Morris, major league pitcher (they would have just missed each other there).
Growing up, Debbie was involved in the youth program at Mt. Zion, the large Reform congregation in St. Paul whose legacy includes Rabbi Gunther Plaut, editor of the Reform movement chumash. In the mid-1960s Mt. Zion started encouraging kids to go to Jewish summer camp at Olin Sang Ruby in Oconomowoc, Wisconsin, and before twelfth grade Debbie went back to New York State in the summer to the NFTY Song and Dance Leaders Institute at Kutz Camp. The next year, right out of high school, Debbie was in Israel on Kibbutz; she was leading music for Mt. Zion’s youth group and religious school; she was regional and national songleader for NFTY; and she was back at Kutz on the staff of the Song Leader Institute.
Cantor Jeff Klepper, composer of our Shalom Rav melody, met Debbie that summer of ’69. He was 15 and remembers a charismatic musician, age 19 and about the same size as her 12-string Martin guitar. He says that Debbie was already a celebrity at camp that summer and the best song leader on the staff, the most effective teacher.
This was the time in her life when Debbie was beginning to compose. She didn’t formally study music; she never learned to read music, but she was a sponge for all kinds of songs, particularly folk music both American and Israeli. You can hear Peter, Paul and Mary in a lot of Debbie’s early music, and later Peter Yarrow himself got to know her and said that Debbie was like Mary.
The Savetts always got Debbie’s early vinyl hot off the press, and her records became part of our Friday night ritual at home. We would eat our Shabbat dinner, and sing out the songbooks we pilfered from Herzl Camp, where Dad was the doctor for a week during the summer and we’d get to eat with camp and absorb songs and ruach. I was just in elementary school when these traditions began. After dinner we’d go into the den and put on a Debbie album. The first one, Sing Unto God, was basically a whole Friday night service. She recorded it with the high school chorus from our alma mater as her backup singers. They helped her debut the songs in a presentation at Mt. Zion. That album contained among pieces her quickly-famous Sh’ma.
I don’t remember really meeting Debbie as a young kid that much. She was more than 15 years older than me and I knew she was a big deal. I remember stopping by the Friedman home from time to time with my parents, and seeing her parents Frieda and Gabe and her sister Cheryl. When I would go to camp and we would sing Debbie's first Mi Chamocha or Im Tirtzu, I always felt a little less homesick.
Debbie did something within her first few years of creating that no one else had done before. She bridged camp and Temple. She made the same music the music of both. She wasn’t the first to set traditional Jewish words in a pop or folk style. This was just a few years after Tom Lehrer had already made fun of the 1960s attempts to make worship hip and young in his song “The Vatican Rag.”
But Debbie was the first to make that music work on the bimah. I remember going to Mt. Zion from time to time and hearing there the melodies I knew from our living room, and the music worked even in a Sanctuary that was cavernous, with the very formal cantor and the robes and the bimah up high and the organ. I’m sure being a home-town talent made a difference, but it wasn’t just in Minnesota that her music was catching on. And remember that Debbie started doing this as a woman at a time when the Hebrew Union College had still not ordained a female rabbi or cantor.
I think there are a few reasons Debbie was the one to pave the way of synthesis between camp and Temple, between stand-alone creativity and conventional prayer services. First of all, Debbie was like Mozart. She was a young prodigy, so soulful and so creative but in a tight frame that people could come to recognize and assimilate, that stretched them just the right amount. There’s something familiar across her many generative years. You can hear certain kinds of intervals over and over -- Oseh Shalom, the tears may fall but we’ll hear them call,v’im lo achshav, and the women dancing with their timbrels. Or the same thing in a slightly different mode -- While we’re here in Hebrew School, samekh ayin pay fay…. Oseh shalom – hear it? Those are bits of different kinds of songs from over a twenty year span, but there’s something threading through. She had a few patterns like that she reworked over and over. Each new Debbie album was like getting together with an old friend to catch up and then settling in to hear about her latest adventure in some new part of the world.
You don’t hear anything quite like Debbie’s signature vocal motifs in anyone else’s music, but still anyone can sing or lead a Debbie song. She doesn’t make you go up high to notes you can’t reach, or throw in a bridge that only one person in the group can do. Debbie had plenty of range in her voice, but she mostly sang to us in our range. And when she herself was in front of a group Debbie never did what a James Taylor or a Peter Yarrow does from time to time, vary up a familiar song to make this performance different from another. It was different because the moment was different and she was in the moment with your particular group. Maybe this time she’d sing faster or slower, maybe change the instrumentation, but she never made herself superior to you when she was singing to you or leading you. Not in a concert at a synagogue, or at a Reform movement convention or at CAJE, and not even at Carnegie Hall. Debbie’s songs and their experience were something she was giving to you, so they would belong to you. Her music sounds great if a great cantor sings it, if a choir sings it -- if you sing it.
Debbie packed a lot of Hebrew words into her music. This is the opposite of the niggun approach of repeating a few words, and it was a bit of a counterculture to the art of English in the New Union Prayerbook. She figured out how to make you want to know the Hebrew rather than be scared off by it. Her music was the spoonful of sugar; not sugary (or very occasionally) but more like honey with fragrances that get around the barriers your conscious brain might put up. She did plenty in English too, liturgical and educational – but she came to want to study the original texts and she would return again and again to certain words, like the Song of Songs or Mi Chamocha.
Debbie didn’t create new theological language, but she translated the new metaphors others were teaching and brilliantly made them hearable. While we rabbis began struggling with how to say “God of our forefathers and our foremothers” or “God of our ancestors”, Debbie came up with “Who blessed the ones before us.” She started out using the language of the traditional Reform prayerbook in all its gender-not-neutral formal English – “And Thou shalt love the Lord Thy God with all thy heart” – and eventually she went back and revised some of her own early songs in English. Her Renewal of Spirit album of healing prayers included many that address God very directly and traditionally as “You.” Don’t hide your face from me, I’m asking for your help. Instead of theology, just the real moment of prayer.
Debbie never made herself a celebrity or even a personality outside of her music. In public she taught and narrated through her concerts, and she loved the teaching process up close with musicians and students and in big groups, but she didn’t ask you to listen to a story of her personal experience as the price of connecting. I think it was only much later in her life that people outside her circle knew of the physical ailments she was struggling with. Laurie and I heard her in Atlanta about ten years after Carnegie Hall, in a synagogue just a few years before she died, and it was obvious she wasn’t herself but she didn’t talk about that. Debbie helped give voice to Jewish feminism and some of the spiritual revival from the 1990s onward, but she wasn’t an activist outside of the music itself. The most activist thing was the women’s Seder that her music has become so central to.
For the Jews of North America, Debbie Friedman stands where only Naomi Shemer, Reb Shlomo Carlebach, and Ehud Manor stand.
For me the most important Debbie music is from her third album called Ani Ma’amin, put out in 1976. She created it as she was working with a group just out of high school at Camp Olin Sang Ruby, and the cover has a picture of Debbie sitting on rocks by a lake looking out. The Savett home probably listened to this one the most of all on Shabbat evenings through my junior and senior high years.
Debbie wrote on the jacket about the meaning of “I believe in the coming of the Messiah”, the gaps between dreams and visions and reality, but the music sounds like all the dreams are real and the visions have come to pass. We all mostly know Ani Ma’amin as a somber Shoah melody, but Debbie’s was the first melody I ever knew for this, and it’s entirely different.
That album’s interpretation of Shabbat is that the rest we need isn’t an escape, a break from a world too broken, but a transport to a world where everything true is just real, without effort. That’s what the album sounds like. A world where God’s Torah and love are just there on any given day and it’s no question they will always be – V’ahavatcha al tasir mimenu l’olamim, Baruch Atah Adonai, Ohev Amo Yisrael. And Your love will never move from us, not ever – Blessed are You, Adonai, Who loves Your people Israel.
As we mark ten years without Debbie Friedman’s live voice, may we take to heart what she gave us to say every week: Help us find the courage to make our lives a blessing. Debbie’s voice in our minds and on our recordings, and our voices singing what Debbie gave us -- may they always be a blessing.
I am posting this just after seeing that the U.S. House has voted to impeach President Trump for his actions leading to the violence at the Capitol one week ago. This is from the D'var Torah I gave on the Shabbat of Shmini Atzeret, the end of the festival of Sukkot, Saturday, October 10, 2020. This was a few weeks before Election Day. It is a charge about peace during the difficult time that was coming and that continues in this country. I drew out how the symbols and rituals connected to "Sukkat Shalom" (a temporary shelter of peace) might guide us. We are still in a time that requires the kind of Shalom-making I describe here. That Shalom is more than avoidance, and it has a moral and spiritual cost even though it is an imperative. This is not all I have to say today and in the coming days.
What’s next for us after our holy season in 5781 is the election season of 2020…. My own week of Sukkot has been about contemplating Sukkat Shalom, Sukkot as a training about peace.
The Geonim taught that the blessing over Lulav and Etrog is said each morning of Sukkot right after the blessings of peace that conclude the Amidah – the Birkat Kohanim(the priestly blessing of peace), Sim Shalom, Oseh Shalom.
They taught that we need to accumulate blessings of peace on the way to Lulav and Etrog, because the ritual involves four species that are so different and distant and hard to put together into one. Our tradition takes the four species to represent vastly different kinds of people. Palm, citron, myrtle and willow have smell and taste, or one or the other, or neither one at all. The midrash compares this to how Jews come in different combinations – those with great Torah and great mitzvot (deeds), those with great Torah and few mitzvot, those with great mitzvot but little Torah, those with very little or none of either. Holding the four species together in one bundle is about the difficulty of holding together such a group. Four species that don’t by their nature automatically come together.
In that bundle, the Etrog looks like the heart. It has both a beautiful fragrance and a sharp taste – just as those with both Torah wisdom and goodness are the heart of a community. But the community is the whole bundle. The four species are so different and have different logics to how they live, and we are commanded to bring them together in one bundle of peace. Not a surface peace, but a challenging and dynamic one, a peace that has to be demonstrated each day of Sukkot. A peace that requires effort, working your way by concentrating on constant reminders of what Shalom could be. You cannot fulfill the mitzvah of Lulav unless the bundle is one you yourself have acquired. There’s no shortcut – you cannot use a stolen Lulav in Jewish law. You cannot have peace without acquiring it legitimately. There is no shortcut. You cannot have peace without actually wrestling with difference and division in the logics of how people live.
In the coming month until Election Day, and a period of time to follow, a fundamental imperative will be Shalom – peace that is dynamic, acquired, recognizing difference and tension, built around Torah and righteous action. Difficult peace.
At the heart of this will be anyone willing to be like an Etrog. A heart connected to what seem like different species, to people who are strong in wisdom and knowledge, and who are weak in them; to people who are strong in actions of goodness, and who are weak in them.
How fascinating that the Torah did not ask us to take a sweeter fruit instead. The Etrog, the heart, has to announce the fragrance it has, and it has to challenge with the sharp taste it has. The Etrog is held next to the Lulav, the palm that draws its strength from deep sources, from deep water that is true no matter what storms are in the sky or not in the coming season, no matter what water is flowing on the surface or not.
I am wearing this kippah today, the one with the Jewish star and the American flag, and will continue to wear it daily through the election and beyond. My nation, my values, my community. The Shalom imperative of this next period is something I am taking on along with other clergy leaders in our area. Hareini m’kabel alai – we take it on for our congregations and for this Nashua area.
This month and the next few are not going to be the months when we reach the long-term and deep solutions we need in America. We are not going to solve the issues of justice and suffering while we are voting, and counting votes, and in the waiting period that might follow. We are not going to be able to get to work on long-term solutions in the period right after the election is settled while many people are hurt and confused and disoriented and angry, which will be the case for more people than ever, even more than today, no matter who wins.
So as we take down our ritual Sukkot, we need to build another kind of Sukkat Shalom, a temporary and fragile Sukkah held up by those who are committed to peace on many levels – to nonviolent responses, to reaching out even to those who are deficient in Torah or deficient in good deeds or deficient in both. To speak to and draw out more of any Torah they have, any good deeds they have. This is a Sukkat Shalom we will need to hold up for a period of time but not for longer than necessary, to enable us to walk truly into a new American year, a new phase in this country.
We will hold it up, myself and my clergy colleagues and any of you who choose to join in this work. We will hold it up as a shelter, as a house of Sarah and Avraham where any can talk who is willing to talk, even if you are not ready yet to talk toward agreement. We will hold it up as a Sanctuary, for anyone who needs a quiet and safe place to pray or reflect or for any who are disoriented. This place here where I am standing, and other churches in our community, will be those shelters of Shalom.
Our clergy will hold up a Sukkah of peace in the public square, on Main Street and in the papers, by calling publicly for nonviolence before and after the election. We will do what we did four years ago in our Men’s Club political breakfast, when I got a commitment from then-Senator Ayotte and now-Senator Hassan to meet a group of us two days after the election to make a public show of Shalom. We have begun to approach the authorities in Nashua to offer ourselves, because we need to prepare and we need our authorities to be prepared. One spark in the wrong place can cause things to get out of hand. We need people of Shalom to be driving the response to any conflict we have, not people of violence.
A time that elevates peace above other things for a time means assuming responsibility for those whose suffering will not be addressed in the period of Sukkat Shalom. The suffering because of COVID-19 and around racial injustice is not distributed evenly, and calling for peace first means taking responsibility for delaying what many people need. So I and my clergy colleagues need to back that up with a commitment to stand up for those bearing the brunt nonetheless, and to make sure that peace is not an excuse to push off everything else indefinitely. A Sukkah that can stand for too long is no longer a kosher Sukkah. Already, the conflicts in our society that have pushed off the moral imperatives of our day give us much to repent for.
And if in this time of seeking peace any group is targeted for intimidation or worse, the Sukkat Shalom must shelter and protect them, and not trade them for a false peace. That could be us, by the way, who are targeted – Jews generally; members of our community who are people of color or LGBTQ+ or immigrants. People will stand by us if that happens and we need to stand up for others.
Shalom means lifting up the example of those leaders who embody a true solidarity. We need those models, especially in our political leaders. It has fallen too hard on local leaders to be the only figures of such solidarity.
Shalom means holding to account those who advocate policies we want but who are themselves divisive. It means asking those we know on the other side politically to do the same when they point the finger only our way.
So I will wear this kippah to show this commitment to Shalom. In this spirit I have been reaching out and will continue to do so – to fellow religious leaders in the area who are my longtime partners and my emerging ones, to leaders of groups I do not have relationships so deep with, to leaders of groups whose vulnerability I worry about. To members of this congregation whose commitments I respect and admire, to members of this congregation who express themselves politically with whom I am solidarity even though we do not have the same outlook on social questions of the day.
We will need in the coming months some backing off and cooling off, and some compromise, and those will be the right thing at times as long as we don’t mistake them for the truest Shalom. They will not last on their own. They haven’t until now. We have tried too long in America to find Shalom only by cooling off and compromising and pushing off until later.
But real Shalom is not avoidant and it is not shallow. It is not the lowest common denominator.
Peace comes only through people who are like the Etrog -- who probe their deeds and probe their Torah, who have both an inviting fragrance and a sharp flavor, who know that even a fruit that is beautiful has to be cultivated again and again.
The America we need will not come from violence, nor will it come from avoiding conflict. It will come in the period following a Sukkat Shalom, a dynamic and hard peace held up by those who will step forward and actively hold it.
I hope that my fears and preparations are overblown and not so needed – that the worst we have is unhappiness this month and next, not outright conflict – but the preparation is good no matter what. Though my words are solemn, I speak them in the same hope I taught on Rosh Hashanah: seeing myself and others step up in worthwhile action on behalf of people we care about, including you and others.
I shall keep wearing this kippah. As we turn to Yizkor (memorial prayers), I will reach to the example of ancestors who faced challenges as serious as the ones we do and pray that their merits will inspire and bless us, as we finally step out of Elul and Tishrei into the year it is our destiny to build for our country.
I just finished the first version of a new page on my site, which I'm calling simply "USA". It has sources and mostly my own reflections about American politics, racial justice, anti-Semitism, and political leadership. I will be updating it with the best links I want people to know about, and anything good I generate as well.
It feels healing particularly today to look back on things I have written, said, and done out of my faith in this country and its politics. Rather than focus only on today's troubles, I am trying to be drawn toward MLK Day.